Suzanne Paola, writing guru, offers some thoughts on how male vs. female writing, and offers some tips for warming up.
I conceived of Stolen Moments after several things happened: one, I read several interviews with V.S. Naipaul, who dismissed all of women’s writing—including Jane Austen’s—as “sentimental” and nowhere equal to his own books, and those of other men. Two, I did in fact buy a pocketbook at a consignment store, as does my character, that still had two lipsticks in a zippered compartment that resembled mine so much that I used them. It was, at first, a challenge to myself: could I create a world out of two accidentally found lipsticks? What if even such a subtle change to one’s outward self could change how we fundamentally think of ourselves and therefore, act?
I just returned home from Hong Kong, where I heard several writers—male—argue that fiction should be political to matter, by which they meant, should include as a major plot point the actions of governments or those who act on behalf of governments. This approach of course can result in terrific fiction. But I think women may be more instinctively aware that life is a series of small moments, every one of which burns outward, into the world: whether I hug my child tonight, and help create a child who is secure, or not; whether I take time to be with a distraught student, or not. Those who repeat small tasks every day, perhaps, learn to look for the soul in them.
The word sentiment in its Latin root simply means to hold feeling. Human feelings underlie everything in this world, including wars.
One thing I love about the women in my world is that, unlike someone like Naipaul, who dismisses women utterly but pursues numerous and noisy feuds with the occasional male writer as well, the women writers I know are remarkably generous people. This is true of Laura Fraser, editorial director and cofounder of Shebooks. In the spirit of Shebooks and its generosity, I offer a few writing prompts for you out there. Feel free to contact me at email@example.com to continue the dialogue.
Prompt one: Think about a very small change that made an enormous difference in the way you felt about yourself. Imagine a character who makes a similarly small change, and imagine, in the end, the circumstances of her life change drastically as a result.
Prompt two: Actually make a large change in yourself—clothing, appearance—for one day. Take notes on how you behave differently. Think about how much of self is defined through these sorts of daily decisions on how we present ourselves, and write about it.